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2016 Spring Eighth Grade Language Book 14 Lesson 14 'Lonely Journey' Interpretation and Design Lu Education Edition Download 2016 Spring Eight Grade Language Book 14 Lesson 'Lonely Journey' Interpretation And the design of the Lu Jiao version of 'Lonely Journey' [I read] 'Lonely Journey' is selected from one of Cao Wenxuan's pure series of novels 'The Grass House'. Professor Zhang Meini, a children's literary critic, commented on 'The Grass House': When we read this novel page by page and chapter, what shines in front of us is the brilliance of a loving heart and a valuable personality. I will try to see the innocent friendship between Sang Sang and the girl, and the true feelings he felt in the illness. The grandmother Qin, who is obsessed with the land and almost esoteric, finally gave up the primary school and the primary school students who 'occupied' her land. Deep love; the vultures with disabilities have their own dignity and remorse; the stubborn horses swallowed grievances, set off the burden of life when the inheritable property disappeared, and the resoluteness of the parents to rebuild their homes. The tenacity of the family's misfortunes, falling into the bottom of life, Du Xiaokang's struggle and adversity, etc., are all in harmony with the spirit of the times, which is united in our sincerity, not afraid of difficulties and setbacks, and also strives for self-improvement, constantly develops ourselves, and creates a future culture. The spiritual values 鈥嬧€媋re similar.

The novel touched today's readers and will also touch tomorrow's readers. 'Grass House' has created a group of children's images in Yau Ma Tei with the whimsical and naughty Sang Sang's growth as a clue. The whole novel is full of a sense of touching and breathing. 'Lonely Journey' tells the story of Du Xiaokang growing up in the life of a duck.

We should better read the 'Lonely Journey' on the basis of guiding students to read 'Grass House', or instruct students to read 'Lonely Journey' to inspire students to read the enthusiasm and desire of 'Grass House' .

First, the storyline is accompanied by the emotional changes of the characters. The storyline of 'Lonely Journey' is not complicated, but it always closely follows Du Xiaokang's emotional changes, ups and downs.

Du Xiaokang did not see Yau Ma Tei's 'going home ashore' was categorically rejected by his father. It was impossible to have the thought of turning back to the front, and it seemed that it was only a microwave.

When the destination is reached - the piece of reeds that is like the 'Million Mountains', the atmosphere suddenly becomes tense. Du Xiaokang 'really fears' and 'has a feeling of never escaping.' Looking at his father, his eyes showed a child's timidity.'

This piece of reeds, in fact, even his father 'appears to be flustered.'

The day passed, and the biggest enemy of the father and son was approaching. 'The world is full of loneliness' and 'starting homesick.'

After defeating loneliness, as the ducks grew up, it was followed by storms.

The hysterical storm almost destroyed everything and drowned their ducks.

In order to recover the ducks, Du Xiaokang braved the storm, his face was scratched, his feet were punctured, and he even got lost. He 'cry up...can't understand why he wants to cry', 'He didn't cry.' /p>

He felt that he suddenly grew up and was strong...' 'He ran over in surprise'... All of this constituted Du Xiaokang's lonely journey and also formed the history of Du Xiaokang's spiritual growth.

Second, beautiful picture and detail processing make the story fascinating. Someone uses Cao Wenxuan's children's works with timelessness, exquisiteness and eternity.

I said that Cao Wenxuan鈥檚 works have a magical power that wraps around your soul.

I think one of the main reasons is that the development of the plot blends with the emotions of the characters' inner characters. At the same time, his works are full of beautiful pictures and details that seem to be handy but touching people. Let us Despite reading the hardships of Du Xiaokang, there is no hysterical entanglement and despair in the heart, always surrounded by a warm hope.

'The ducks form an inverted fan shape in front of the boat, struggling to move forward... the bow is a uniform, eternal sound of water.' Read this text and let your heart follow the heart of Du Xiaokang. And slowly calm down; 'Twilight, the small mud stove in the cabin, the first smoke is floating, it is the only smoke here... At this time, the heat and the smoke can no longer be clearly distinguished.' This is pure Quiet in the front; 'The smell here is very good to smell... so that Du Xiaokang sniffs from time to time.' This is almost a kind of enjoyment from the panic; 'Du Xiaokun smelled a duck The down smell on the body.

He licked his head...but he didn't cry.

He feels that he has grown up suddenly and is strong.' Such details must make you feel moved to tears.

In this pure realm, we grew up with Du Xiaokang.

Three, the simple and warm text contains a rich theme. Mr. Cao Wenxuan believes that there is only one literary standard - profound.

He asked this standard, which originated in the West, belongs to the Nobel Prize Committee, or belongs to the standards of our critics who hold the right to critical discourse: 'China has been a generation of literary critics for thousands of years. In the established standard system, the categories we use are lattice, style, elegance, and taste; context, artistic conception, taste, we did not have this latitude. Who can prove that profoundness must be better than artistic conception?' In it, we can see that Cao Wenxuan has reservations about the pursuit of profoundness in his works.

Read 'Grass House' and read 'Lonely Journey'. From these simple and clean words, we can touch the warmth of that warm life, and you can feel the beautiful artistic conception and elegant charm.

The image of Du Xiaokang is not isolated. He is closely integrated with the ducks, the reeds, the wind and rain. In the artistic conception of the author's management, we need to taste the metaphorical meaning beyond the language.

Cao Wenxuan emphasizes the aesthetic value of literature.

He is hiding the rich theme of his work in the text, let us chew in the aesthetics.

The scholar Zhou Guoping has such a sentence in the article 'The Value of Solitude', which may be the key to opening the theme of understanding this novel: 'The ability to have a solitude is related to whether a person can truly form a relative self. The inner world, which in turn affects his relationship with the outside world.' 'The history of human spiritual creation shows that the more important value of loneliness lies in nurturing, awakening and inspiring the creativity of the spirit' and 'the importance of loneliness for life.' Experience is not only because only in loneliness, people can meet their own souls, but also because in loneliness, human souls can meet God, mystery, and the infinite mystery of the universe.

' Mr. Zhou Guoping has such an intriguing statement on the color page of 'Cultural Character': 'Love and loneliness are the two most beautiful songs in life, and both are indispensable.

The soul without love is not alone. People who have never experienced loneliness cannot understand love.

'I think, these may be the reason why Mr. Cao Wenxuan chose this section of 'Grass House' as 'Lonely Journey'.

This trip away from Yau Ma Tei, this lonely journey is not just to make Du Xiaokang grow up, but to be strong. I think it is more important to let him truly understand life and understand life. He knows how to love life and love life.

Maybe, this is the more powerful Du Xiaokang we see in the later stories.

[I design] Teaching creativity: read the story, read the characters, and avoid entanglement in the things that are known.

Face students in the third year, according to the editor's intention, mainly based on self-reading, exchange 'reading' and reading 'problems', using menu-based teaching, teachers expand moderately.

Teaching Objectives: 1. Self-reading texts, grasping the content of the story, and asking questions.

2. In the taste language, understand the emotional changes of the characters and the journey of the soul.

3. Under the appropriate point of dialing and expansion, understand the rich meaning of the text.

Pre-course preparation: 1. Read 'Grass House' in two weeks and write your reading experience.

2. Preview the 'Lonely Journey', what do you read, what problems do you have, and annotate in the book.

Teaching process: First, how much does the 'grass house' know? 1. Students exchange understanding of the author, exchange and read the experience of 'grass house'; 2. teacher summary, summary.

Second, 'Lonely Journey' everyone said 1. Tell me what you read 'understand'? The teacher prepares the following menu: (1) The content of the story - summarized in one sentence.

(2) Character shaping - talk about Du Xiaokang, talk about the difference between this character and other characters in 'Grass House'.

Teacher asks: What do you most admire Du Xiaokang? (3) Environmental Description - This is a journey full of loneliness and suffering, but how does the environment describe it? 2. Tell me about the problem of reading 'do not understand'. The teacher prepares the following menu: Menu 1: Why is the title of Lonely Journey? Guide back to the textbook and grasp the main part of the text. (1) How does the author describe the most powerful enemy of loneliness? What is the performance of Du Xiaokang? Clearly: The text 'Days and pasts are gone... No longer suddenly panic'. Lonely approaching, oppression feels the final calm face, Du Xiaokang is increasingly strong in loneliness. (2) In addition to describing the temperament that Lonely brings to Du Xiaokang, what else is there? Clearly: from 'the thickest family' to the family, from the child king to the school, 'falling down, falling into another situation.' Leaving Yau Ma Tei, fear of an unfamiliar environment, awkwardness about the future, and so on. Teacher development leads Zhou Guoping's 'The Value of Solitude'. The PPT shows that the ability to be alone is related to whether a person can truly form a relative self-centered world, which in turn affects his relationship with the outside world. The history of human spiritual creation shows that the more important value of loneliness lies in the creativity that breeds, awakens, and inspires the spirit. Loneliness is an important experience of life, not only because in loneliness, people can meet their own souls, but also because in loneliness, human souls can meet God, mystery, and the infinite mystery of the universe. . Love and loneliness are the two most beautiful songs in life, and both are indispensable. A soul without love will not be alone, and a person who has never experienced loneliness cannot understand love. Menu 2: How do you understand the suffering of Du Xiaokang about suffering? Mr. Cao Wenxuan advocated the education of suffering. He and his son have said such a passage, which is worthy of my taste. PPT shows that suffering is almost eternal. Every era has the suffering of every era. The suffering is not the beginning of your generation. Today's children, do not need to make a fuss about their own suffering, must point out, tell you that suffering from the day you were born with you, the life of a person is a life with suffering. The history of mankind is a history of suffering, and this history will continue to expand. What we need is the kind of elegant grace that is not shocked when faced with suffering. When you are a teenager, there is a kind of demeanor for suffering. When you grow up, you can be a strong person. (1) Back to the text, have you read the elegance of Du Xiaokang in the face of suffering? The elegance of the teacher's understanding is: calm, calm, fearless... grasp the details of the article and experience the inner heart of the character. Segment 1: The taste here is very good... and I can't sleep. Discussion: Is Du Xiaokang here very fragile, does it feel that he is not very useful? Segment 2: Du Xiaokun smelled the down smell of a duck... He felt that he suddenly grew up and was strong. Discussion: How do you understand that Du Xiaokang 鈥渃ry up鈥?and 鈥渄o not cry鈥? Segment 3: One morning in August... I can't stop saying 'I have laid eggs, laid eggs...' Read aloud: Read Du Xiaokang's inner surprise, pride and pride. (2) Perhaps the author is based on the understanding of suffering, there is no sadness in the novel, and there is a sense of beauty everywhere. What paragraphs in the article make you feel beautiful, or can you touch your heart? Play the wonderful words, tell your own experience in reading, and grasp the language characteristics of the author. Segment 1: The ducks form an inverted fan shape in front of the boat, struggling to move forward... The bow is a uniform, eternal sound of the water. 2: The ducks are so cute... they put the head back again. In the wings. Segment 3: The ducks are also growing up... shining like soft satin in the sun. The teacher asked: What did the duck bring to Du Xiaokang during this journey? Do you think the author's description of the duck has more meaning? Clear: the metaphorical role of ducks. Segment 4: This is the real reed... The eyes are a timid child. Segment 5: Compared with this kind of loneliness... can only further strengthen the loneliness that seems to be filled all over the world. Discussion: How does the author strengthen the fear and loneliness of the character? Teacher Summary: This discussion seems to be a bit heavy. In fact, the author has reservations about 鈥渄eepness鈥? The author pursues the 鈥済rid, elegance, and taste鈥?of literary works. He believes that 鈥渂eauty鈥?is also the power that can be made through words. People become 'elegant', PPT shows: China has been used for thousands of years, the standard system established by generations of literary critics, the categories we use are style, style, elegance, elegance; context, artistic conception, taste, we did not have a deep Who can prove that this latitude is more profound than the mood? .


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